Theory

Stephanie Sarah Lauke is scholar in media and art history and works on a doctoral dissertation analysing the documentation and media-based transformation of moving image installations. She studied media studies, philosophy, art history, and theatre studies at the universities in Erlangen, Middlesbrough (Great Britain) and Hamburg. In 2009, she finished her studies with a magister thesis on the presentation of video art in artists' profiles. Beyond her work at the KHM she organises film programmes and is a member of the artist group Cameracartell.

research fields: video art, theory and history of image based media, film aesthetics and film analysis, documentaries

since March 2012 research associate in the DFG-funded project Limitations of the Archive. New challenges in archiving practices within art and art studies at the KHM - from April 2011 to February 2012 research associate at the KHM, in Theory/ Art History within Media Context

Publications (Selection)

Streaming Video Art. Beobachtungen zur Distribution und Präsentation von Videokunst online [Streaming Video Art. Notes on the Online Distribution and Presentation of Video Art] in: Broadcast yourself? Versprechung und Enttäuschung, Hamburger Hefte für Medienkultur No. 12, Hamburg: Universität Hamburg 2012, p. 69-84.

Interdisziplinäres Stichwortverzeichnis [Interdisciplinary Index], in: unterbrechen | wiederholen, off topic No. 3, 2011, Academy of Media Arts Cologne, Cologne, p. 6-7, 130-136, in collaboration with Karin Harrasser et. al.

The (Re)Mediation of Experience. A Case Study, Proceedings ISEA2011 Istanbul, 2011, in collaboration with Florian Wiencek.

Wish I was there! - Zum Nach(er)leben von Videoinstallationen im Internet [Wish I was there! – On the (After)Life of Video Installations in the World Wide Web], in: Ruth Reiche, Iris Romanos, Berenika Szymanski, Saskia Jogler (Hg.): Transformationen in den Künsten. Grenzen und Entgrenzung in bildender Kunst, Film, Theater und Musik. Transcript: Bielefeld 2011, p. 115-130.

Videokunst auf den zweiten Blick. (2009) Die Präsentation künstlerischer Videoarbeiten im Porträtfilm. Hamburg: Universität Hamburg. (Magisterarbeit)

Presentations (Selection)

Slow Actions - Transformative gestures in moving image installations. Poster presentation at the symposium of the ICOM-CC working group Art Technological Source Research, Brussels November 23rd - 24th November 2012.

LIVE TAPED VIDEO INSTALLATION. Die Re-Inszenierung von Bruce Naumans Videokorridor in Museum und Fernsehen. Presentation at the doctoral symposium between the University of Fine Arts Hamburg and the KHM, Hamburg, April 27th 2012.

Archiving outside the box – How crowd-sourced documentation contributes to art history and preservation. Presentation at the Digital Memories - 4th Global Conference, Prague, March 16th 2012.

Digital Remediation of Visitor’s Experience. A GUI Approach. Presentation at the REWIRE Conference 2011, Liverpool, September 30th 2011, in collaboration with Florian Wiencek.

The (Re)Mediation of Experience. A Case Study. Presentation at the ISEA 2011 Istanbul, Istanbul, September 17th 2011, in collaboration with Florian Wiencek.

Distrubute! #3, moderation und guest speaker, 27th International ShortFilmFestival Hamburg, Hamburg, June 8th and 9th 2011.

Bewegtbild-Installationen vermitteln. Probleme und Potenziale medialer Transformtionen von Videoinstallationen. Presentation at the doctoral colloquium, KHM, November 11th 2010.

Zum Nach(er)leben von Videoinstallationen im Internet. Presentation at the doctoral symposium Transformationen - Entgrenzung in den Künsten, Ludwig-Maximilians-Universität München, October 23th 2010.

Intermediale Strategien und Probleme in Dokumentationen über Videokunst. Presentation at the workshop Zur Intermedialität des Films, Arbeitsstelle Film- und Fernsehforschung, University of Hamburg, März 21th 2009.